Antonia Wright is a multidisciplinary artist based in Miami, FL. Wright explores empathy in contemporary life through a multidisciplinary practice that blurs the boundaries between live performance, video, photography, poetry, sound, and sculpture. She has questioned social norms through physical actions combining danger with beauty, aggression with vulnerability. Her ultimate goal is to restore a sense of immediacy to the audience encounter and elicit emotion and concern for the other. Her projects include performing tai chi covered in 15,000 bees, throwing her naked body through a pane of glass, pouring paint in her eye, and falling through a hole in the ice on a frozen lake.
Antonia Wright is a Cuban-American artist born in Miami, Florida. Wright received her MFA in Poetry from The New School in New York City in 2005 as well as at the International Center of Photography for photo and video in 2008. She has exhibited in the U.S. and abroad and has been awarded artist’s residencies both nationally and internationally. Exhibitions include shows at The Hirshhorn Museum and Sculpture Garden (Washington, D.C.), The Perez Art Museum (Miami), Pioneer Works (New York), The Faena Arts Center (Buenos Aires, Argentina), The Margulies Collection at the Warehouse, Vizcaya Museum and Gardens, Spinello Projects (Miami, FL), Luis de Jesus Gallery (Los Angeles, CA), San Francisco Arts Commission Galleries (SF, CA), Aeroplastics (Brussels, Belgium), The National Gallery of Art (Nassau, Bahamas), and Ping Pong (Basel, Switzerland). In April 2012, she became and founded the first artist-in-residence at the Lotus House Shelter for women and children in Overtown, Miami. She was recently named a CINTAS Foundation Fellowship finalist for 2019 in Visual art. She is represented by Spinello Projects in Miami, FL and affiliated with Luis De Jesus Gallery Los Angeles.
Wright’s work has been presented in publications including The New York Times, Artforum’s Critics’ Picks, Art In America, Hyperallergic, i-D, New York Magazine, Daily News, Miami Herald, El Nuevo Herald, and The Art Newspaper.
Antonia Wright and Ruben Millares
It is not down on any map; true places never are, 2019
Flags, motorized chain, steel support structur
Dimentsion variable (as presented, 22 ft x 16 ft x 12 ft)
Suddenly We Jumped, 2014
Durst lambda digital c-print
20 x 30 in.
Durst lambda digital c-print
20 x 30 in.
The gallery is pleased to announce that Antonia Wright will participate in the group show, #fail, at the Contemporary Arts Center, New Orleans. The multimedia group exhibition, presented by the Contemporary Arts Center, New Orleans and Spinello Projects, brings together works by artists that expose the systemic failures facing our world. #fail explores a world in crisis and it is treated as social and poetic materials. Through a multidisciplinary presentation, the artists express existence as a failure worth narrating.
The gallery is pleased to announce that Antonia Wright will be one in seven artists to have artwork aquired as part of Oolite Art's renewed acquistions program. These pieces will be on display at the Oolite Arts' new campus in the City of Miami opening in 2023. The program was launced last year by Oolite's Board of Directors in an effort to ensure that more Miami artists are represented in major collections. A jury comprised of Miami and nationally-based curators, Tami Katz-Freiman, Omar Lopez-Chahoud and Larry Ossei-Mensah, helped select the diverse group of both established and emerging artists from a pool of more than 500 artists who are current residents or alumni of Oolite’s programs.
The gallery is pleased to announce that Antonia Wright is participating in a group show, Natural Transcendance at the Oolite Arts in Miami. This group show presents works that reflect an ethereal sensibility toward nature manifested during the pandemic. It is a reaction to urban culture and the segregation of humanity from nature. The artists included in the show react to how the pandemic opened up opportunities for re-integragrion into nature; both literally and spirtually. Antonia Wright will be presenting a cyanotype portrait in this show, which blurs the lines between human and plant.
In conjunction with the opening of Untitled Art Fair 2021, Miami’s non-profit art exhibition space Locust Projects kicks off Art Week with a public screening of local artist Antonia Wright’s And so with ends come beginnings, a contemplative video on sea-level rise that will play on a large screen floating off the shores of South Beach. Shot when the artist was nine months pregnant, the video is a metaphor for the dualities of ecstasy and anxiety of living in a paradise for ground-zero sea-level rise. Lummus Park, 1130 Ocean Dr, Miami Beach. Nov 29, 4–6pm.
But the most visceral work in this exhibition goes to Antonia Wright and “Suddenly We Jumped,” a 14-second video documenting the artist being thrust into a sheet of glass. The result is expectedly dangerous and unexpectedly beautiful. The piece accompanies “MAP,” her photograms of glass panes the artist shattered with a hammer—Wright’s furious and reasonable response to the police killings of unarmed Black people in 2020.
The 2021 Acquisitions artists include Cara Despain, Susan Lee-Chun, Nicolas Lobo, Reginald O'Neal, Marielle Plaisir, Jamilah Sabur and Antonia Wright. A jury comprised of Miami and nationally-based curators, Tami Katz-Freiman, Omar Lopez-Chahoud and Larry Ossei-Mensah, helped select the diverse group of both established and emerging artists from a pool of more than 500 artists who are current residents or alumni of Oolite's programs. Oolite Arts purchases new works each year through its Acquisitions program.
Or the cyanotype frames (photographic procedure) by Antonia Wright, who “integrates and combines her body and that of a palm tree, forming a union between the human body and nature,” Mitrani pointed out.
Beyond being eye-catching, some of the works reflect the times we are living in. Antonia Wright and Ruben Millares’ light installation “Yes/No” was inspired by the protests against racial injustice that have been happening for years and came to the forefront in 2020.
But, it’s not all international artists. Illuminate includes local flavor. Antonia Wright, artist: “We are so excited to be a part of Illuminate Coral Gables. It’s just a really uplifting and inspiring exhibition that questions the medium of light.” Ruben Millares, artist: “We love how they all integrate, and you can see them across all of downtown Coral Gables, so no matter where you are you get a nice visual of one or several of the pieces.”
NSU Art Museum Fort Lauderdale will kick off its new exhibition season with New Art South Florida, the 2020 South Florida Cultural Consortium (SFCC) exhibition. Featuring the work of 13 preeminent South Florida artists who are recipients of the 2020 South Florida Cultural Consortium awards, the exhibition will be curated by NSU Art Museum's Director and Chief Curator, Bonnie Clearwater, a longtime champion of South Florida artists. The exhibition's artists work in a wide range of mediums and include: Broward County: Nathalie Alfonso, Shane Eason and Andriana Mereuta; Miami-Dade County: Itzel Basualdo, Franky Cruz, GeoVanna Gonzalez, Nicolas Lobo, Monica Lopez De Victoria, Kareem Tabsch and Antonia Wright; Palm Beach County: Ates Isildak; and Monroe County: Michel Delgado and Mark Hedden.
The South Florida Cultural Consortium (SFCC) announces 13 awards to distinguished South Florida artists through its 2020 Visual and Media Artists Program. The Consortium, an alliance of the arts councils of Broward, Martin, Miami-Dade, Monroe and Palm Beach Counties, has recognized seven individuals from Miami-Dade County (including Antonia Wright), three from Broward County, one from Palm Beach County, and two from Monroe County.
Ultimately, spending time with artists is what truly “floats her boat.” Currently, she is working with her dear friend and renowned artist Antonia Wright on a project called “WWWW - Suffer in Style” that will be the next ARTSail residency. The two plan to produce a luxury chain of accessories inspired by environmental causes in an effort to make climate change more stylish. “It is about talking about dark issues with irony and humor,” she says, “while making it all — art, fashion, etc. — as accessible as Mother Nature.”
It’s an exciting year for UNTITLED Miami Beach, the fair situated on Ocean Drive and 12th Street that’s celebrated for being highly curated, architecturally mindful, and pleasant to navigate. The 2019 edition launches Monuments, a new program of large-scale, site-specific installations such as It is not down on any map; true places never are (2019). This kinetic outdoor sculpture by collaborative artists Antonia Wright and Ruben Millares, presented by Luis De Jesus Gallery in Los Angeles, consists of a group of flags sliding up and down on a flagpole in an allegory of complicated global hierarchies.
For the first time in its 11 years, the Creative Time Summit, the world’s premier conference at the intersection of art and politics, will convene in Miami from Nov. 2-3 at the Adrienne Arsht Center, Perez Art Museum Miami, Little Haiti Cultural Complex and other venues.This international platform for socially engaged art not only will consider topics of relevance to Miami, but that also were generated by Miami. For instance, sea level rise and borderlessness will be highlighted by Miami’s unique positioning as the major U.S. mainland link to the Caribbean and Latin America, and as a place particularly vulnerable to climate change.
Solmi’s trio of video paintings are haunting and cynical. You may find yourself mezmerized by the moving caricatures, The Last President of the United States, The Next President of the United States, and The Wall Street Tycoon.