Antonia Wright is a multidisciplinary artist based in Miami, FL. Wright explores empathy in contemporary life through a multidisciplinary practice that blurs the boundaries between live performance, video, photography, poetry, sound, and sculpture. She has questioned social norms through physical actions combining danger with beauty, aggression with vulnerability. Her ultimate goal is to restore a sense of immediacy to the audience encounter and elicit emotion and concern for the other. Her projects include performing tai chi covered in 15,000 bees, throwing her naked body through a pane of glass, pouring paint in her eye, and falling through a hole in the ice on a frozen lake.
Antonia Wright is a Cuban-American artist born in Miami, Florida. Wright received her MFA in Poetry from The New School in New York City in 2005 as well as at the International Center of Photography for photo and video in 2008. She has exhibited in the U.S. and abroad and has been awarded artist’s residencies both nationally and internationally. Exhibitions include shows at The Hirshhorn Museum and Sculpture Garden (Washington, D.C.), The Perez Art Museum (Miami), Pioneer Works (New York), The Faena Arts Center (Buenos Aires, Argentina), The Margulies Collection at the Warehouse, Vizcaya Museum and Gardens, Spinello Projects (Miami, FL), Luis de Jesus Gallery (Los Angeles, CA), San Francisco Arts Commission Galleries (SF, CA), Aeroplastics (Brussels, Belgium), The National Gallery of Art (Nassau, Bahamas), and Ping Pong (Basel, Switzerland). In April 2012, she became and founded the first artist-in-residence at the Lotus House Shelter for women and children in Overtown, Miami. She was recently named a CINTAS Foundation Fellowship finalist for 2019 in Visual art. She is represented by Spinello Projects in Miami, FL and affiliated with Luis De Jesus Gallery Los Angeles.
Wright’s work has been presented in publications including The New York Times, Artforum’s Critics’ Picks, Art In America, Hyperallergic, i-D, New York Magazine, Daily News, Miami Herald, El Nuevo Herald, and The Art Newspaper.
Beyond being eye-catching, some of the works reflect the times we are living in. Antonia Wright and Ruben Millares’ light installation “Yes/No” was inspired by the protests against racial injustice that have been happening for years and came to the forefront in 2020.
But, it’s not all international artists. Illuminate includes local flavor. Antonia Wright, artist: “We are so excited to be a part of Illuminate Coral Gables. It’s just a really uplifting and inspiring exhibition that questions the medium of light.” Ruben Millares, artist: “We love how they all integrate, and you can see them across all of downtown Coral Gables, so no matter where you are you get a nice visual of one or several of the pieces.”
NSU Art Museum Fort Lauderdale will kick off its new exhibition season with New Art South Florida, the 2020 South Florida Cultural Consortium (SFCC) exhibition. Featuring the work of 13 preeminent South Florida artists who are recipients of the 2020 South Florida Cultural Consortium awards, the exhibition will be curated by NSU Art Museum's Director and Chief Curator, Bonnie Clearwater, a longtime champion of South Florida artists. The exhibition's artists work in a wide range of mediums and include: Broward County: Nathalie Alfonso, Shane Eason and Andriana Mereuta; Miami-Dade County: Itzel Basualdo, Franky Cruz, GeoVanna Gonzalez, Nicolas Lobo, Monica Lopez De Victoria, Kareem Tabsch and Antonia Wright; Palm Beach County: Ates Isildak; and Monroe County: Michel Delgado and Mark Hedden.
The South Florida Cultural Consortium (SFCC) announces 13 awards to distinguished South Florida artists through its 2020 Visual and Media Artists Program. The Consortium, an alliance of the arts councils of Broward, Martin, Miami-Dade, Monroe and Palm Beach Counties, has recognized seven individuals from Miami-Dade County (including Antonia Wright), three from Broward County, one from Palm Beach County, and two from Monroe County.
Ultimately, spending time with artists is what truly “floats her boat.” Currently, she is working with her dear friend and renowned artist Antonia Wright on a project called “WWWW - Suffer in Style” that will be the next ARTSail residency. The two plan to produce a luxury chain of accessories inspired by environmental causes in an effort to make climate change more stylish. “It is about talking about dark issues with irony and humor,” she says, “while making it all — art, fashion, etc. — as accessible as Mother Nature.”
It’s an exciting year for UNTITLED Miami Beach, the fair situated on Ocean Drive and 12th Street that’s celebrated for being highly curated, architecturally mindful, and pleasant to navigate. The 2019 edition launches Monuments, a new program of large-scale, site-specific installations such as It is not down on any map; true places never are (2019). This kinetic outdoor sculpture by collaborative artists Antonia Wright and Ruben Millares, presented by Luis De Jesus Gallery in Los Angeles, consists of a group of flags sliding up and down on a flagpole in an allegory of complicated global hierarchies.
For the first time in its 11 years, the Creative Time Summit, the world’s premier conference at the intersection of art and politics, will convene in Miami from Nov. 2-3 at the Adrienne Arsht Center, Perez Art Museum Miami, Little Haiti Cultural Complex and other venues.This international platform for socially engaged art not only will consider topics of relevance to Miami, but that also were generated by Miami. For instance, sea level rise and borderlessness will be highlighted by Miami’s unique positioning as the major U.S. mainland link to the Caribbean and Latin America, and as a place particularly vulnerable to climate change.