Yrneh Gabon is a Jamaican born, multi-disciplinary, mixed media and performance artist based in Los Angeles. Gabon received his BFA from the University of Southern California (with distinguished honors) and his MFA from Otis College of Arts and Design. Gabon’s practice seeks balance and intersections between artistic representation, social activism, and social commentary — particularly regarding issues pertinent to Africa and people within its diaspora.
In 2014, after travels and research in Tanzania, Jamaica, and across America, Gabon was given his first solo and major body of work at the California African American Museum in Los Angeles, entitled, “Visibly Invisible." The exhibition focused on the killing, hunting, and mistreatment of people born with albinism. “Visibly Invisible" brought attention to the plight of people living with albinism with focus on occurrences in East Africa, which became instrumental in speaking at the United Nations in New York to advocate for the passing of the bill that protects people with albinism around the world. Another social practice work of note is his ongoing project, “Memba Mi Tell Yu/Listen Up Take Note,” an operetta on ecological climate change that brings awareness to the nexus of ecological climate change dealing with fire and water and now salt.
In 2017, Gabon completed a summer residency at the Fundación Sebastian in Mexico City. His work, entitled “Roots and Symbols,” explored the invisible people of African heritage in Mexico and the lack of equitable resources in communities of color in the black coastal Mexico. Gabon has held exhibitions in New York, California, and internationally, including Canada, Senegal, Jamaica, and the West Indies. In December 2018, Gabon had the distinct honor and privilege to be one of the featured international artists at the Musée des Civilisations Noires’ inaugural exhibition in Dakar, Senegal.
Gabon was invited to exhibit in the summer 2019 at the National Gallery and was a Guest Speaker at “Mi and Me Suitcase” Earl Warner Foundation, at the University of the West Indies (UWI) HQ fundraiser benefiting Scholarships for arts students, in Jamaica. A true artist in heart and soul, Gabon has been in the arts and entertainment for over 35 years and has worked as a poet, actor/singer, award winning director, producer, playwright, special effects make-up artist and creative director. Gabon’s purpose and aim continues to use of all mediums of art as a tool for empowerment, social activism and social commentary regarding issues surrounding Africa and its Diaspora. His work continues to create new narratives and extend dialogue between Africa and its Diaspora, both in the first and the developing world. Gabon 2022 Dakar biennale selecting “Salt” was inspired by his travels to Lac Rose in Senegal and explores the intersection of salt as a commodity in Africa and the United States. His upcoming Fulbright fellowship will take him to Southern African country of Botswana, where he will research the impact of Social to people, the ecological climate change in the Okavango Delta and Lake Makgadikgadi Salt Pond 2023-24.
“It is my mission to use my fine arts practice to re-education and address the inequities within undeserved communities and reconstruct a narrative, that bridge us as a people facing social, inspirational seeing with the mind’s eyes and speaking from the heart. We need to speak less and do more for positive and social empowerment.”
Luis De Jesus Los Angeles invites you to a virtual roundtable with Dr. Anita Bateman, June Edmonds, Yrneh Gabon, and CCH Pounder on Friday, March 29 at 1pm PT.
Join us for a conversation between Curator and Art Historian, Dr. Anita Bateman, artists June Edmonds and Yrneh Gabon, and actress and art patron, CCH Pounder about the themes, influences, and works present in our current exhibitions, "Meditation on African Resilience" by June Edmonds and "Spirit Leads Me" Yrneh Gabon.
Luis De Jesus Los Angeles is pleased to announce that Yrneh Gabon has been awarded the 2024 Arts Residency and Black History, at the Museum of Black Civilization, Dakar, Senegal. Gabon will be living and working in Dakar, Senegal for the duration of his residency.
Luis De Jesus Los Angeles is pleased to announce that Yrneh Gabon has been awarded the 2023-2024 Fulbright Research and Arts Fellow and heading to Botswana, Southern Africa, hosted by the Okavango research institute (ORI) at the University of Botswana. As a research Scholar, Gabon will explore the ecology of the Makgadikgadi Pans (geomorphologically playas) and the Okavango Delta, using qualitative research methods to answer the questions: what are the ecological links between the Okavango Basin and the Makgadikgadi Salt Pond, and what are the ecological and sociological shifts that have taken place over time? Additionally, investigating the ecological balance between plants and animals at the Makgadikgadi Pans and the freshwater Okavango basin.
The City of Santa Monica awarded five Santa Monica artists with Artist Fellowships in the thirteenth year of the City’s individual artist support program. The $16,000 Artist Fellowship will be presented to painter and sculptor Meg Cranston and to multi-disciplinary, mixed media, and performance artist Yrneh Gabon. The $4,200 Project Fellowships will be presented to digital media artist Kio Griffith, receiving the second annual Kate Johnson Digital Arts Fellowship, and to projects by designer/architect/conceptual artist Kaitlin Drisko and playwright Tanya Maria White. This is Tanya Maria White’s second Fellowship award.
The $16,000 Artist Fellowship will be presented to painter and sculptor Meg Cranston and multi-disciplinary, mixed media and performance artist Yrneh Gabon. Yrneh Gabon, a Jamaican born multi-disciplinary artist, "seeks to balance and intersect artistic representation with social activism and social commentary, particularly regarding issues pertinent to Africa and people within its Diaspora," according to the artist's website.
On the opening day of this year’s Dak’Art Biennial of Contemporary African Art, visitors to the Ancien Palais de Justice could hear chanting emanating from Yrneh Gabon Brown’s A Salted Intermission, 2020–22, long before entering the gallery that housed the work. The Jamaican American artist stood at the door, addressing his guests in Wolof—Horom, Horom, Horom! Ndox Lac Rose!—while requesting visitors “pay” a symbolic offering by scooping sea salt from one bucket into another.
Yrneh Gabon’s “Fire and Salt” series examines the impact of salt beyond its ability to add flavor to a dish. The series was inspired by a 2017 visit to Dakar, Senegal, during which the Jamaican-born artist observed the famed pink waters of Lake Retba, a massive salt-mining site. “I witnessed the labor-intensive environment in which people were working,” he recalled. “The labor makes you weep. You see people harvest this salt for eight or nine hours.”
Multidisciplinary artist born in Jamaica, Yrneh Gabon has been living in the United States for a few years and is gradually getting closer to Africa. Since he discovered Senegal and especially his Balante origins located between Casamance, Gambia and Guinea Bissau, thanks to the DNA test, his links with Africa are getting closer. As part of the 14th edition of Dak'Art, Yrneh GABON has set up a complex installation around salt and in particular the Lac Rose which he discovered a few years ago.
The massive protests in Los Angeles in response to the murders of Ahmaud Arbery, Breonna Taylor, George Floyd, and so many others organized through the Black Lives Matter movement generated an outpouring of engaging and provocative visual artworks. Open-air installations, murals, posters, “street art” works, and similar efforts abound, many in my Venice/Mar Vista neighborhood where I regularly jog. One of the most ambitious projects occurred in Los Angeles in late May. Dozens of artists from all over the sprawling city exhibited work outside their homes or in comparable public spaces, because private galleries and museums were closed due to COVID-19 restrictions. This sprawling exhibition, titled Drive-By-Art, invented by Warren Neidich, Renee Petropoulos, Anuradha Vikram, and Michael Slenske, enabled artists to show their work and avoid isolation.
A capacity sized crowd gathered recently at the University of the West Indies Regional Headquarters for “Me an’ Mi Suitcase”, a lecture on the Arts as a Tool for Empowerment by Yrneh Gabon, Visual Artist and Social Activist organized by The Earl Warner Trust (Jamaica). In sharing with the rapt audience Yrneh noted that the title of the exhibit “Me an’ Mi Suitcase” was quite apt and could be seen as a biopic of his journey as an artist. “When I, Yrneh Gabon, think about my artistic journey, it’s near impossible to not think about Human Rights advocacy, social activism, community engagement, and raising awareness. In my process I listen for what I don’t hear to create and look beyond what is before me to the root of the subject, allowing the research findings to inform the aesthetics,” noted Gabon.