"I came out of the womb and knew I wanted to be an artist. It’s all I know.” Growing up in Port Arthur, Texas, Evita Tezeno was surrounded by female relatives who were quilters and seamstresses. Little bits of fabric could always be found around the house, and it’s this patchwork, folk-art style that has inspired Tezeno’s immensely popular collage paintings since the beginning of the 21st century.  Tezeno’s paintings overflow with Black joy: colorful, harmonious scenes of Black Americans dancing, playing guitar, dressed up to go out, holding flowers. 

In Gladys Knight’s version of “The Way We Were” (1974), she sings, “Can it be that it was all so simple then; or has time rewritten every line; if we had the chance to do it all again, tell me, would we? Could we?” Upon viewing “Evita Tezeno: The Moments We Share Are the Memories We Keep” at Luis De Jesus Los Angeles, the resounding answer is an unequivocal yes. Featuring paintings formed by Tezeno’s family memories, the show is a must-see, worth tattooing on one’s mind. These works solidify her place within the canon.

On Thursday, I checked out the new exhibitions at Luis De Jesus Los Angeles in downtown L.A.: “Evita Tezeno: The Moments We Share Are the Memories We Keep” and “Aaron Maier-Carretero: a hundred peonies.” Tezeno’s autobiographical exhibit consisted of snapshots of everyday Black life in Texas depicted in vibrant, large-scale, mixed-media portraits of relatives like her grandmother and great-uncle.

Each piece radiated warmth in the patterns and relationships among the subjects, especially in “When Family Gathers,” depicting a multigenerational family sitting around a table.

Luis De Jesus Los Angeles is pleased to announce Evita Tezeno: The Moments We Share Are The Memories We Keep, large-scale mixed-media collage paintings.  As a continuation of My Life, My Story, Tezeno’s 2022 solo exhibition, this series of collage-paintings builds on visual narratives depicting soulful everyday scenes of Black life, introducing us to new friends, family and endearing moments from the artist’s life. Tezeno uses a combination of richly patterned hand-painted papers, acrylic paint, vintage buttons inherited from her grandmother, and other media to portray the intimacies and joys of growing up in South Texas.

What should be a slow Labor Day weekend is instead a full-tilt week of creative engagements—with major gallery (and library, and online) exhibitions across the city from downtown to WeHo to West Adams and Chinatown. Saturday, September 2; Evita Tezeno: The Moments We Share Are the Memories We Keep at Luis De Jesus Los Angeles. 

Last month, I drove to Houston for the Glasstire Gala and had the opportunity to see a few exhibits, including the Pipilotti Rist installation at the Museum of Fine Arts, Houston (MFAH) and Evita Tezeno at Houston Museum of African American Culture.

“The Houston Museum of African American Culture (HMAAC) is proud to present Evita Tezeno: Out of Many, curated by HMAAC’s Chief Curator, Christopher Blay. The exhibition opens Thursday, April 27, with a reception from 6- 8PM, and will be on view for closing festivities on Juneteenth and Father’s day weekend, June 17. 

The acquisition fund has led to massive career growth for some local artists, like Evita Tezeno. Since having a piece acquired last year by the DMA, Tezeno has won a Guggenheim Fellowship, and her first solo museum exhibition opens at the Houston Museum of African American Culture this month.

There is a lot of straight-up positivity and joy in the work of artist Evita Tezeno, which is another big reason why Evita Tezeno: Out of Many, which opens this Thursday, Apr. 27 at the Houston Museum for African American Culture, is one of the year’s must-see art exhibits. CityBook flagged the show in our spring Arts Issue, and then Vogue got the scoop with a feature on the 62-year-old, Dallas-based artist shortly after it was announced Tezeno and Houston-based artist Jamal Cyrus had each been awarded a 2023 Guggenheim Fellowship.

At 62, Dallas artist Evita Tezeno is getting some long-overdue recognition. Vogue magazine profiledTezeno last week in an article headlined: “The Rising Dallas Artist Spotlighting Black Life — And Black Joy — In the South.”

Evita Tezeno, a mixed media collage artist based in North Texas, has been featured in Vogue Magazine and recently won the Guggenheim Fellowship Award for Fine Art. Her colorful collages depict Black joy and have been purchased by celebrities such as Denzel Washington and Samuel L. Jackson. Tezeno started her artistic career as an impressionist painter and had a dream where an angel gave her a book of sketches and told her she would be successful if she followed its instructions. She has a solo exhibit this month at the Houston Museum of African American Culture.

Evita Tezeno is having a good month. The North Texas-based mixed media collage artist is featured in Vogue Magazine. "I know I told my parents and my grandparents that I wanted to be on the cover of famous magazines and newspapers and travel the world with my artwork," Tezeno said. "I did not imagine that I would be in Vogue this quickly."

Evita Tezeno had a bucolic childhood, ensconced in a predominantly Black community in small-town Port Arthur, Texas, near the Louisiana border. Today the 62-year-old Dallas artist draws upon these fond memories in her exuberant collage paintings, employing elaborately patterned hand-painted papers and found objects to depict everyday scenes of Black life: prim ladies waiting at a bus stop, young girls nattering away, women hanging laundry, couples linking arms for a stroll, gazing lovingly at each other, or dressed in their finest for a night of dancing. 

“Evita Tezeno: Out of Many” at Houston Museum of African American Culture (April 27-June 17)

This new exhibition by the Texas-born collage artist showcases her technique that combines painting and collage. 
Tezeno’s tapestry-like works are carefully constructed from a variety of materials she brings together to depict everyday scenes from Black Life in America. Turning the phrase “Out of Many, One” and its Latin form E Pluribus Unum, which articulates the ideals of America’s Founding Fathers, the exhibition “Out of Many” aspire to those ideals, representing, with fondness, the days in the lives of everyday Black Americans.

Geoff Green, collector, on behalf of himself and wife, Sheryl Adkins-Green, on their must-sees at the fair:
• Evita Tezeno at Luis De Jesus: While it’s amazing to see the art world come to Dallas for the week, it’s also nice to recognize the Dallas-based artists who have a presence at the fair. Evita’s stunning work draws on the influences of Romare Bearden and Elizabeth Catlett; she is a marvelous colorist creating unique, richly patterned paintings depicting hope, joy, and love.

Awarded by the John Simon Guggenheim Memorial Foundation, the fellowship is given to 48 disciplines divided into 4 broad categories: Natural Sciences, Social Sciences, Humanities, and Creative Arts. In the Fine Arts category, the winners were   Pamela Council, Jamal Cyrus, Kapwani Kiwanga, Diane Severin Nguyen, Tammy Nguyen, Samantha Nye, Evita Tezeno, and Lavar Munroe.

This year, two visual artists, Houston-based Jamal Cyrus and Dallas-based Evita Tezeno, are among the winners. Last year, Mr. Cyrus had a solo exhibitionat the Modern Art Museum of Fort Worth, and Ms. Tezeno was one of three Texas artists whose work was acquired by the Dallas Museum of Art through the Dallas Art Fair.

The John Simon Guggenheim Memorial Foundation announced this week the 171 scholars and artists who were awarded its acclaimed 2023 Guggenheim Fellowships. This year’s class includes some of today’s most closely watched artists.

Among the winners in the fine arts category are Pamela Council, Jamal Cyrus, Kapwani Kiwanga, Diane Severin Nguyen, Tammy Nguyen, Samantha Nye, Evita Tezeno, and Lavar Munroe, whose representation with Chicago’s Monique Meloche Gallery was announced in tandem with the fellowship news. 

A new pop up art exhibit is coming soon to NorthPark Center as part of the mall’s collaboration with the Dallas Museum of Art. Talk of the Town will have its opening night from 6 – 8 p.m. Tuesday, March 21 with a collection of art exploring womanhood from several artists. The exhibit will also coincide with Dallas Art Fair’s 15th edition.
The Dallas Museum of Art’s Dr. Anna Katherine Brodbeck will curate the exhibit. The following artists will be featured: Sarah Awad, Sarah Cain, Johnny Floyd, Danielle Mckinney, Arcmanoro Niles, Maja Ruznic, Keer Tanchak, Evita Tezeno, and Summer Wheat

Luis De Jesus Los Angeles began The Armory Show with a bang. With a compelling booth of newly created paintings by artists June Edmonds, Evita Tezeno, Vian Sora, Laura Krifka, and Nicolas Grenier, the gallery appeared to have one of the most visited booths at the fair. Within minutes of the opening, the gallery had sold work by Sora, Edmonds, and Tezeno. A gallery representative noted that sales were going strong by mid-day Thursday, with multiple pieces going to prominent collections in Malaysia, Texas, and Pittsburgh, plus institutional queries lined up for that evening. 

Luis De Jesus Los Angeles is another wonderfully curated booth, featuring June Edmonds, Nicolas Grenier, Laura Krifka, Vian Sora, and Evita Tezeno—shout out to Dallas-based artist, Evita Tezeno, for making some of the most earnest pieces at the fair. Tezeno’s collage paintings employ richly patterned hand-painted papers and found objects in a contemporary folk-art style.

Three fine solo shows of paintings offer personal perspectives as unique as the artists who created them: Laura Krifka, Evita Tezeno, and Nancy Evans. Tezeno’s work is a delightful, vibrant mixed-media swirl of collage and acrylic. “My Life, My Story” is reminiscent of a quilt, a layered narrative of family life in which the textured mediums also convey the stories. Krifka’s “Still Point,” is a beautiful tribute to light, the human body, and the human heart. With domestic settings framing lustrous images, her stunningly accomplished work pulls at the heart and reaches the soul. Nancy Evans focuses on a celestial landscape rather than a human one in “Moonshadow.” 

Tezeno creates scenes of everyday life that have a timeless quality. They could be images of now, or from the past. While representational, they have a folk art quality so they appear simple, yet complex simultaneously. The works are composites filled with an array of different materials. Whoever these figures may be, they round out Tezeno’s story and illustrate a vital community.

Fairgoers buzzed about work by Ukrainian artists at the Sapar Contemporary booth, or the pieces by local artist Evita Tezeno that had already been acquired by the Dallas Museum of Art, and gallerists—a mix of local and international—were eager to note the difference between Texas crowds and those at other fairs.

The Dallas Art Fair Foundation Acquisition Program, which director Kelly Cornell told me was modeled after the Tate’s Outset program, utilized this year’s $125,000 grant to add ten new works to the Dallas Art Museum’s permanent collection—unexpected choices and classic beauties, like a homoerotic vase by Krzysztof Strzelecki called “Olympia” via Anat Ebgi, “Joy, Compassion, Generosity” by Texas native Evita Tenzeno via Luis De Jesus, and “Untitled (laborer)” by Kaloki Kyami via Keijsers Koning, which recently relocated from NYC to Dallas.

At the Dallas Art Fair press preview yesterday morning, the Dallas Museum of Art (DMA) announced its acquisition of ten works of art, three of which are by Texas artists. These acquisitions are made possible by the Dallas Art Foundation + Dallas Museum of Art Acquisition Fund, which was established in 2016. Evita Tezeno, a Dallas-based mixed-media artist who is represented by Luis De Jesus Los Angeles, is the third Texas artist to have work acquired by the DMA from the Dallas Art Fair.

There is definitely a focus on featuring Black artists. There are a number of female group shows we’re seeing being presented. There are some really exciting artists. Evita Tezeno is showing with Luis De Jesus, and she’s actually from Dallas. Her work is incredible. And she’s really just getting the recognition that she deserves. So, we’re excited. And excited how her work hasn’t really been shown in Dallas before. So, I’m excited for an LA based gallery to show the work to an audience in Dallas.

In the tradition of 20 century great Romare Bearden, Texas native Evita Tezeno creates richly embellished collages depicting the same Black woman in a variety of situations, including the play of emotions she felt during the pandemic lock-down last year. Tezeno explores our limited lifespan, sheltering in place, and hopeful transformation. Collectors loved them; the NADA booth quickly sold all her work. // “Shattered Glass” tells an evocative story of strength by those often marginalized because of race, ethnicity and sexual identity through works such as Gabriel Sanchez’s “Babalao Pastor, Yoruba Priest.”

Dallas-based artist Evita Tezeno presents several new collage-based paintings that reflect on her experience living through the pandemic. They each present portraits of Black women holding various objects—a miniature house, a bountiful bowl of fruit. “There have been a lot of strong Black women in my life,” Tezeno said of the people she paints. The figures are all depicted with large eyes because, for the artist, “the eyes are the mirror of soul.”

Evita Tezeno brings out the joy in painting, through soft hues and bold figures evoking smiles and memories of time gone by.

With more than 250 galleries, including 43 first-timers based in countries from Uruguay to Zimbabwe, Art Basel Miami Beach might be the most renowned fair in town this week — but it’s by no means the only one. Untitled Art Miami Beach (November 29-December 4, 12th Street and Ocean Drive) is celebrating its 10th edition by inviting four curators to stage presentations at the show. Natasha Becker of the de Young Museum in San Francisco is uniting 11 galleries around the theme of black voices, while art historians Estrellita Brodsky and José Falconi have focused theirs on less traditional, more outlying ways of understanding the universe.

Evita Tezeno’s mixed media collages are folksy images crafted from colorful and patterned paper. On view are both close cropped portraits and full-bodied figures with exaggerated features who often appear in flowery fields of green, a cheerful setting that contrasts with the works’ titles. While the images pay homage to artists like Romare Bearden, Tezeno’s whimsical representations feel like fairytales filled with determined, loving and compassionate figures. Through evocative titles such as “The Soul Knows My Silence,” “My Dreams Make Me Who I Am,” and “My Life Tells Where I Have Been,” Tezeno evokes the plight and struggles of her subjects.

 A few weeks ago I talked about the solo exhibition, Better Days, at Luis De Jesus Los Angeles by Dallas based artist Evita Tezeno. Her collage paintings on canvas and rag board introduce you to a variety of characters in everyday life. And what interesting characters they are…Sunday was the last day of the exhibition, and Tezeno flew to Los Angeles to hold a private reception for its closing. I asked her if the characters in her paintings are based on real people. Does she photograph them first? To my surprise, her answer was no. She paints from memory, inspired by family, friends and neighbors. For me, it was another example of how a conversation with an artist deepens the experience of their work. 

Her characters possess overwhelming pride in their surroundings, their loved ones, and the attention paid to how they represent themselves. Viewing Tezeno’s lively colored work replicates a leisurely drive through a small Black town, encountering its most fascinating figures, passing by shotgun houses and acres of green landscape or leafing through an old family photo album and seeing mixed-media collage versions of beloved relatives on page after page.

Evita Tezeno's first solo exhibition in Los Angeles, Better Days, features colorful collage paintings that depict a cast of black and brown characters in harmonious and joyful everyday scenes inspired by the artist's life, memory & dreams.

As the planet enters the beginning of a post-pandemic, post-Trump administration era, it was wonderful to be baptized in optimism from Evita Tezeno’s exhibition, “Better Days” at the Luis De Jesus Los Angeles gallery. One sweeping taste of these works results in a single message: Tezeno’s unique voice reflects a masterful synthesis of several groundbreaking aesthetic approaches that pay tribute to Black culture in her use of acrylic mixed-media collage on rag paper.

Employing richly patterned hand-painted papers and found objects in a contemporary folk-art style, Evita Tezeno’s colorful collage paintings on canvas and rag board depict a cast of characters in harmonious everyday scenes. Inspired by her family and friends, childhood memories in South Texas, personal dreams and moments from her adult life—and influenced by the great 20th century modernists Romare Bearden, Elizabeth Catlett, and William H. Johnson—scenes of joy animate her vision of a Black America filled with humanity.

Tezeno uses collage and vibrant colors to tell a visual narrative of her life experiences. “I hold close the memories of days gone by. I relish the time before there were Wi-Fi, cell phones and so many other technological visual distractions,” says the artist in her statement. 

Evita Tezeno and Jas Mardis speak with Good Morning Texas about their show Sharing Memories, currently on view at Art Centre of Plano. 

Evita Tezeno has exhibited at the ArtCentre previously, and this time will be showcasing her Cubism-inspired collages. Evita works with handmade paper, acrylic paint and found objects. Her work has been lauded by entertainers, media personalities and professional athletes for its use of color, texture and shapes. She has been commissioned by the Essence Music Festival in New Orleans, the Deep Ellum Film Festival and the New Orleans Jazz and Heritage Festival.

Texas native Evita Tezeno is known for her whimsical collages that capture the beauty and joy of day to day experiences. Her mixed media depictions of Black women, men, and children are inspired by moments from her own life as well as children’s stories. Through her work, Evita seeks to inspire the viewer and bring laughter to the lives of others.

Evita Tezeno is a collage artist who spends about 12-hours a day, 6-days a week inside her Dallas art studio working on her latest project; a 19-piece collection of collages inspired by the pandemic. "It's called 'Daughters of the Crown'," Tezeno said, pointing out the 'corona' means crown. "I was sketching one night and looking at the news, and it just came to me."Each piece features the same character, depicted with different aspects of living in a pandemic."I chose a Black woman to represent that," Tezeno said. "It's very personal. It's very personal. I had an artist friend that perished because of COVID." 

Tezeno’s work consists of collages with cubist influences. Her bold use of color, texture and shape are the core of her collages. Inspired by the images that she sees in her sleep, Evita translates these visions through mixed media, combining handmade paper, acrylic paint and found objects. Pulling from experiences and children’s stories, she creates whimsical images that provoke laughter and thought to help enrich the soul. 

My work is about emotions. And emotions have no ethnicity. So my figures may represent my Blackness in all the different hues I use in my work, but still people of all ethnicities see my work and they can identify with it. Sometimes, I’ve listened to non-brown people say, ‘Oh, Black work is so controversial. It intimidates me.’ But I just had a showing at my studio, and I had mostly caucasian Americans come, and they were all piled in my studio, gathering around my work saying, ‘Oh my goodness, I feel so much joy, I am so happy!’ And this is what I try to convey in my work. I want to bring joy, I want to bring happiness.

Evita Tezeno seeks the pleasures of life through the eyes of visual expression. Her exuberant passion for life leads her to explore the human experiences related to her childhood memories and life’s encounters. Using bright colors soft hues, and bold figures, Tezeno crafted visual stories, by the use of hand made papers, crayons and other mediums, that evoke smiles, joy and thoughts of yesteryears.”
 

Another artist involved in the exhibit is Evita Tezeno. “Black female artists are not represented in the community like everyone else is,” she said. “It is more of a male-dominated society. This exhibit is a marvelous vehicle to show what we are made of as a Black female artist.” Tezeno is a print maker and collage artist and has created artwork such as I Am Somebody, which depicts a strong female who has been through a lot. 

Talking with Evita Tezeno feels like the first day of spring after a long, dismal winter. Even though she’s been earning a living through her art since the 80s, she talks about her life, her journey, and her art with the enthusiasm and excitement of a new artist fresh on the scene. Her calm energy and smooth storytelling make an interview feel like a conversation between friends. 

"I know being an arist is going to be uncomforatable, " says Tezeno, who lived in a warehouse and cooked on a hot plate. "I will live in a cave if I have to. There is nothing in the world that I want more than to be a great artist. Tezeno says women are normally not as aggressive as their male counterparts; her determination has helped her survive ten years in male-dominated industry. She's quickly becoming one of the most recognized names in the art world, and has been comissioned to do a number of festival posters including New Orleans Jazz festival.