Edra Soto - Artists - Luis De Jesus Los Angeles

Edra Soto is a Chicago-based Puerto Rican interdisciplinary artist, educator, curator, and co-director of the outdoor project space THE FRANKLIN. She is invested in creating and providing visual and educational models propelled by empathy and generosity. Her recent projects are motivated by civic and social actions focus on fostering relationships with a wide range of communities.

Recent venues presenting Soto’s work include Millenial Park, Chicago, IL, the Pérez Art Museum Miami (FL), Hunter East Harlem Gallery (NY), UIC Gallery 400 (IL), Bemis Center for Contemporary Art (NE), and the Museum of Contemporary Art of Chicago (IL) amongst others. Soto has attended residency programs at Skowhegan School of Painting and Sculpture (ME), Beta-Local (PR), the Robert Rauschenberg Foundation Residency (FL), Arts/Industry at the Kohler Foundation (WI), Headlands Center for the Arts (CA) and Project Row Houses (TX) amongst others. In 2017 Soto was awarded the Efroymson Contemporary Arts for installation artists. Her co-curation for the exhibition Present Standard at the Chicago Cultural Center was praised with overwhelmingly positive reviews from the Chicago Tribune, Newcity, PBS The Art Assignment and Artforum. Soto was recently featured in Newcity’s annual Art 50 issue Chicago’s Artists’ Artists and at VAM Studio 2017 Influencers.

Soto is a lecturer for the Contemporary Practices Department at The School of the Art Institute of Chicago, were she holds an MFA from, and a BFA degree from Escuela de Artes Plastics de Puerto Rico.

Press

ARTSPACE

UNTITLED ART, MIAMI BEACH PREVIEW: CREATIVE TIME'S JUSTINE LUDWIG PICKS HER FAVORITES December 3, 2018

Edra Soto’s Open 24 Hours is an exploration of consumption, waste, and vernacular architecture. Discarded liquor bottles accumulated during Soto’s daily walks through East Garfield Park in Chicago are transformed into jewel-like totems. Rejas, decorative iron screens enclosing outdoor domestic areas in Puerto-Rico, also serves as an influence on the work—highlighting an interplay between security and ornamentation. They are beautiful, haunting, socially conscious works.

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CONTEMPORARY ART REVIEW LA

SOUL RECORDINGS AT LUIS DE JESUS LOS ANGELES March 15, 2018

News media, despite respective biases, seem to agree in the description of contemporary politics as “complicated” and “divided.” While accurate, this semantic admission fails to demonstrate the accountability of the status quo. Soul Recordings, a group exhibition currently on view at Luis De Jesus Los Angeles, examines ideas around representation and meaning amid the persisting trauma of colonial histories.

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ARTILLERY

SOUL RECORDINGS March 6, 2018

The opening movement of “Soul Recordings” is a polka-dot revelry, a bedazzled wake-up call, a cymbal-clap altarpiece, a plastic-bead trumpet blast, and a monster of a skull-ringed, glitter-bombed orchestral chord breaking in fuchsia major. This is Ebony G. Patterson’s heartbreaking and eminently Instagrammable mixed media installation work, and the poignant grandeur of its regal and folkloric memento mori is alert and ineffable.

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LOS ANGELES TIMES

DATEBOOK: SOUL RECORDINGS February 16, 2018

Soul Recordings, at Luis De Jesus Los Angeles. A group exhibition featuring works by artists such as Lisa C. Soto, Deborah Roberts, Caitlin Cherry and Lex Brown shines a spotlight on our state of political unease. This includes work that examines neocolonial architecture, painting that toys with the nature of stereotype and textile work that takes on issues of gender. Accompanying the exhibition will be an essay written by independent curator Jill Moniz, who organized the very compelling show of sculpture by African American female artists at the Landing last year.

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