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Installation view of Lia Halloran: Your Body is a Space that Sees at LAX Terminal 1. Photos courtesy of SKA Studios LLC.

Installation view of Lia Halloran: Your Body is a Space that Sees at LAX Terminal 1. Photos courtesy of SKA Studios LLC.

Lia Halloran
Andromeda, after Molly O'Reilly, 2017
Cyanotype on paper from painted negative
45 x 45 in.

Lia Halloran
Andromeda, after Molly O'Reilly, 2017
Cyanotype on paper from painted negative
45 x 45 in.

In Your Body is a Space That Sees, Los Angeles artist Lia Halloran combines ink and light to celebrate women’s contributions to science. Her large-scale cyanotypes recall telescopic views of the night sky, captured in photographic emulsion on glass plates in the late 19th and early 20th centuries, and used by a group of female astronomers to make extraordinary discoveries about the universe. 

Halloran begins each piece by painting her impression of an astronomical image, in ink the color of midnight, on a sheet of transparent drafting film. Three of the works you see to the right of the display case are original ink-on-film renderings of this kind. But such a painting can also serve as a negative: When overlaid on chemically treated paper and left outdoors to absorb the California sunshine, the painted negative produces a blue-hued cyanotype print of the same vision. Time figures importantly in these artworks. All astronomical imagery offers a look back in time, to the moment when light left the object under study. Although the human eye registers only the impression of a moment, an artist or a photographic plate can collect light over a period of hours and present a composite view of entities too faint for the eye to register at a glance. The turn-of-the-century photographic negatives that Halloran examined were made by long exposure to starlight falling through telescopes onto glass plates coated with photographic emulsion. Halloran’s cyanotypes emerge through exposure to the light of the nearest star, our Sun.

Although sunlight and starlight contain all colors, the iron salts employed in the cyanotype process respond only to ultraviolet light, which turns them Prussian blue. The titles of these works acknowledge the individual women who drew new truths from close study of the glass plates. For example, one of them determined that stars consist mainly of hydrogen and helium, while another divined a means for measuring distances across deep space. More information about them is available in the display case to your left, where you can also see a replica of a glass plate from 1897. The silver-colored background in the display case is reminiscent of the silver compounds that give photographic film its sensitivity to light.

Lia Halloran is an artist who often incorporates science and nature to create projects that draw from scientific materials, historical influences, and identities. She has participated in a wide range of interdisciplinary collaborations with scientists and architects in various national and international exhibitions and publications

Development of Your Body is a Space That Sees was supported by an Art Works grant from the National Endowment for the Arts. The artist is represented by Luis De Jesus Los Angeles, where this series was first shown. It has since traveled to solo exhibitions at the Lux Art Institute in San Diego, the Schneider Museum of Art in Ashland, Oregon, and the University of Maryland Art Gallery, College Park. Lia Halloran is Associate Professor of Art at Chapman University in Orange, California, where she also teaches courses that explore the intersection of art and science.

Exhibition text by Dava Sobel, author of Longitude, Galileo’s Daughter, and the book The Glass Universe which tells the hidden history of the women whose contributions to the burgeoning field of astronomy forever changed our understanding of the stars and our place in the universe. You can see more at: www.liahalloran.com or on Instagram @liahalloranstudio.

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