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Luis De Jesus Los Angeles
2685 S La Cienega Blvd. Los Angeles, CA 90034 | T 310 838 6000

NEWS

April 30, 2009

REVIEW @ SDNN.COM: ‘MAY’S ARTIST OF THE MONTH: JASON SHERRY’

Local artist known for distinctly different style

By Neil Kendricks (San Diego News Network contributor)

Do artist Jason Sherry’s neighbors know that they live next door to a contemporary alchemist? When Sherry is toiling on a new body of artwork in his South Park garage-studio, chances are he is working with a hulking darkroom enlarger, creating photographic images generated from his stash of negatives of old ads for midnight movies that even die-hard cinephiles might have trouble identifying. READ ON: “May’s Artist of the Month: Jason Sherry”

April 24, 2009

“DISCOMBOBULATED”, SAN DIEGO ART PRIZE EXHIBITION WITH BRIAN DICK AND KIM MCCONNELL

You are cordially invited to attend the opening of DISCOMBOBULATED, an exhibition featuring works by Kim MacConnel & Brian Dick, recipients of the 2008-2009 San Diego Art Prize.

Saturday, April 25, 2009 / 7:00 - 9:00 p.m.

L-Street Fine Art Gallery at the Omni Hotel, 628 L Street, San Diego, CA 92101. Gallery Hours: Tuesday-Saturday 10-5 PM. Tel. 619-645-6593

Exhibition Continues Through July 20, 2009 

April 24, 2009

DANIEL RUANOVA TALK (EXCERPT)

Check out these excerpts from Daniel Ruanova’s gallery talk on DEFEND:SECURITY.

WATCH EXCERPT 1

WATCH EXCERPT 2

WATCH EXCERPT 3 

April 24, 2009

JASON SHERRY & NEIL KENDRICKS: ‘IN CONVERSATION’ (EXCERPT)

Check out these excerpts from Jason Sherry’s gallery talk with Neil Kendrick’s in conjunction with the exhibition Time Space Trials and the Packrat Dirge.

WATCH EXCERPT 1

WATCH EXCERPT 2

WATCH EXCERPT 3 

April 20, 2009

TIME SPACE TRIALS VIDEO

Check out Matt Hoyt’s video for Jason Sherry’s Time Space Trials. watch

April 16, 2009

ART REVIEW: “THEMATIC ADVENTURES”, BY ROBERT PINCUS, THE SAN DIEGO UNION-TRIBUNE, APRIL 16, 2009


“Language, in Sherry’s art, is often reduced to nonsense, in a way that Lewis Carroll probably would have enjoyed. And like Carroll’s wonderland, his universe is a place where rational thought has little use.”

sherry-whether-celebrity-can-detail-lo-resThere is something both poignant and pathetic about faded celebrity.   more

Jason Sherry reminds us of this in an elaborate photographic collage, “Whether Celebrity Can, Or Should, Transcend Dimension,” which is part of his latest exhibition – his second at Seminal Projects.

Few will be able to identify the main figure in this image, though 30 years ago many more people would have. This fellow with the blond shag hair is Leif Garrett, then a sort of fresh-faced pop singer and actor. He’s done a lot of acting since then, but has also had legal troubles stemming from drug arrests.

Sherry sets him among a crowd of small faces, taken from celebrity magazines, which form a kind of landscape behind him. In the adjoining image is a similar land mass, this one seemingly extraterrestrial and partially filled with letters.

Language, in Sherry’s art, is often reduced to nonsense, in a way that Lewis Carroll probably would have enjoyed. And like Carroll’s Wonderland, his universe is a place where rational thought has little use.

Sherry is also a connoisseur of pulp pictures. The piece that gives this exhibition its title is dense with pages and covers from old tabloid and porn magazines, sliced up to fit the shape of “The Packrat Dirge (Or the Theme from Human Interest Story).”

The packrat is a friend of the artist. He was getting divorced and wanted to jettison a pile of publications. So Sherry took them and made them into a new shell for an old pump organ mechanism. The imagery even covers the keys. And, wonder of wonders, the organ still plays. So the artist’s reference to a dirge can be taken literally, though you’re free to play happier tunes on it.

The use of music isn’t isolated to “The Packrat Dirge,” either. Sherry, who once played bass in rock bands, clearly has interest in making objects with sound. He’s turned a BMX bike into a turntable for “Time Space Trials.” Pedaling it plays vinyl records in a herky-jerky style. It doesn’t look like much, but you have to praise his low-tech ingenuity. He seems to view his device as revenge on bad music, since it plays albums badly: He christened it himself by playing one by Iron Maiden.
More on music

Mark Mulroney had a really fine solo show at the Museum of Contemporary Art San Diego five years ago. His mural scale project, among the current offerings at The New Children’s Museum downtown, is an intriguing swirl of imagery alluding to fairy tales and puppets.

“Nude Drum Solo,” his show at Seminal Projects, consists of more slight work, paintings with a lot of open space interrupted by a figure or two and sometimes a telling prop.

“Paradise” doesn’t look so paradisical. There’s a lone palm tree and a guy on all fours. In “You Look at Me. I Look at You,” a male with bulging torso cut off at the chest gazes at a nude woman with no neck and head. It’s a droll take on desire.

There are traces of the style and wit that give Mulroney’s art its life among the seven exhibited paintings. But they fall short of expectations he’s created for his work. 

April 15, 2009

BRIAN DICK’S MUSEUM MASCOT PROJECT TAKES LACMA. NO RUFFLED FEATHERS REPORTED.

Brian Dick’s ongoing interventionist performance, “The Nationwide Museum Mascot Project”, surfaced over the Easter weekend (April 11-12) at LACMA. Museum officials tried to dissuade him (this time, a yellow-breasted blue bird with a large baseball rear-end) from carrying out the peaceful demonstration but, once again, his citizen’s right of access to public property prevailed. Good thing. We [Heart] LACMA. http://www.lacma.org/

April 05, 2009

CHAUNEY PECK IN ‘FORCES AND FORMATIONS’ @ SOIL / SEATTLE

Forces and Formations: Kevin Bernstein, Jonathan Bucci, Claire Johnson, Chauney Peck, Elise Richman
April 1 – May 2, 2009.

Forces and Formations is an exhibit about the relationship between personal processes and natural phenomena. The participating artists’ work explores underlying forces, elemental structures, and/or landscapes to create perceptual sensations that are viscerally felt.   more

Natural forces and formations provide a jumping off point, a reference that inspires each artist’s highly personal visual logic and evocative manipulation of materials.


Kevin Bernstein’s painting process provides an analogue for natural processes of growth, decay, and states of flux. Intimate forms accrue in Bernstein’s paintings, creating compositions that are richly textural and evoke landforms and amoebas.

Jonathan Bucci’s process involves direct interaction with mixed media in a process that animates his abstractions of glaciers, tornadoes, waves, and plants with an emotional complexity that expresses pathos, humor, and angst.

Claire Johnson’s square, representational oil paintings of aerial topographies convey a sense of wonder for her subject matter, as well as pigment and paint. Her work delivers on two fronts, creating vertiginous spatial illusions and luscious layers of colored marks.

Chauney Peck throw rocks like dice, thereby using chance to create her compositions of rocks on brown craft paper. Her intimate, intuitive watercolor paintings transform the planar structure of rocks into patterned marks that are as elemental as the forms depicted. Check out more at: http://soilart.org/currentshow/index.htm

April 05, 2009

JASON SHERRY & NEIL KENDRICKS: ‘IN CONVERSATION’, APRIL 18, 2 P.M. @ SEMINAL PROJECTS

In conjunction with the exhibition, “Time Space Trials and the Packrat Dirge (Or the Theme from Human Interest Story)”, the gallery will host an informal talk between Jason Sherry and Neil Kendricks, “In Conversation”, on Saturday, April 18, starting at 2 p.m. The event is free and open to the public. Neil Kendricks is Film Curator of the Museum of Contemporary Art San Diego (MCASD).   more

A San Diego-based award-winning filmmaker, photographer, artist, writer, lecturer/professor–and, since the early 1980s, a long-time Comic-Con devotee–he is also the founder and ongoing participant of MCASD’s popular, annual film event, alt.pictureshows. 

April 01, 2009

NATHAN GLUCK & DANIEL TIERNEY

“SYNTHESIS: CONTEMPORARY COLLAGE”, FEATURING NATHAN GLUCK & DANIEL TIERNEY OPENS APRIL 3rd IN WASHINGTON, D.C.

The exhibition “Synthesis: Contemporary Collage” (organized by Hemphill Fine Arts) will be presented at their annex, Carroll Square Gallery, 975 F Street, N.W., Washington, D.C. An artists reception is scheduled for Friday, April 3rd, from 6-8 pm. The show, which runs through June 12th, features two artists represented by or working with Seminal Projects: Nathan Gluck and Daniel Tierney. Other artists included are D.   more

Billy, Billy Colbert, Franz Jantzen, Camila Rivera-Morales, Holli Schorno, and Al Souza. For more info, please call 202-624-8643 or  email gallery@hemphillfinearts.com.