Luis De Jesus Los Angeles - Logo image

Luis De Jesus Los Angeles
2685 S La Cienega Blvd. Los Angeles, CA 90034 | T 310 838 6000

NEWS

September 24, 2018


ARTFORUM CRITICS' PICK REVIEW: PAUL ANTHONY SMITH

From a distance, Paul Anthony Smith’s “picotage” pieces, 2012–, resemble movie stills interrupted by television static. Up close, they look like pictures dotted with tiny dabs of white paint. Smith creates these small, textured imperfections by carefully picking apart his mounted photographs with a ceramic needle, exposing their white undersides.  [ READ MORE ]

September 19, 2018


CHRIS ENGMAN: THE MAKING OF CONTAINMENT AT THE FOTOFOCUS BIENNIAL IN CINCINNATI

FotoFocus presents Containment, a site-specific installation by photographer Chris Engman, created specifically for the 2018 FotoFocus Biennial: Open Archive. Containment offers viewers a rare glimpse into the artist’s process, and the chance to experience Engman’s manufactured “architectural landscapes” for the first time.   more

This constructed environment fuses the tangible and surreal, playing with preconceived notions and expectations about time, space, memory, and images as truth-telling mediums.

Chris Engman: Prospect and Refuge is a curated exhibition for the 2018 FotoFocus Biennial: Open Archive. Now in its fourth iteration, the Biennial spans over 90 projects at museums, galleries, and universities across Greater Cincinnati; Northern Kentucky; Dayton and Columbus, Ohio; and features more than 400 artists, curators, and educators. The Open Archive theme emphasizes the centrality of photography and lens-based art to modernism, and examines our fundamental need to preserve photographs and to tell stories through their collection, organization, and interpretation.

Chris Engman: Prospect and Refuge
Curated by Carissa Barnard, FotoFocus Deputy Director
Weston Art Gallery, Cincinnati
August 31 – November 18, 2018 [ SEE VIDEO ]

September 18, 2018


ERIK OLSON IN THE LONDON FREE PRESS

On the Canvas: Motorcycle journey inspired artist's London show

An  more

exhibition of new works by an internationally acclaimed Canadian artist was inspired by a motorcycle trek across North America.

Erik Olson’s Hold the Line, opening Thursday at Michael Gibson Gallery, was painted this summer in a second-floor studio built for the artist above the London gallery.

Olson began painting about his experience when he arrived in London after spending three months on a 2018 Triumph Bonneville.

The project was inspired two years ago when gallery owner Michael Gibson showed the artist the vacant second-floor space above the gallery, which Gibson had wanted to develop. The Calgary-born artist, who now lives in Dusseldorf, later contacted the gallery about his plan for its use.

Hold the Line reflects Olson’s “memories, experiences and landscapes from his trip.” [ READ MORE ]

September 12, 2018


PAUL ANTHONY SMITH: CONTAINMENT FEATURED ON ARTNEWS PICTURES AT AN EXHIBITION

Pictures at an Exhibition presents images of one notable show every weekday.

Today’s show: “Paul Anthony Smith: Containment” is on view at Luis De Jesus in Los Angeles through Saturday, October 13. The solo exhibition is the Jamaican-American, Brooklyn-based artist’s first with the gallery. [ READ MORE ]

September 07, 2018


PAUL ANTHONY SMITH IN THE LOS ANGELES TIMES DATEBOOK

The arts season is off and running, with openings all over Los Angeles and beyond! Here’s a guide to the top exhibitions and events in the coming week.

Paul Anthony Smith, “Containment,” at Luis De Jesus Los Angeles. Smith collages bits of photographs of people taken throughout the African diaspora (Jamaica, Brooklyn, Puerto Rico) and then carves into these to create patterns that mask and mute the original image. Afterwards, he scans, manipulates and silkscreens the result, creating yet another layer of distortion.   more

Opens Saturday at 6 p.m. and runs through Oct. 13. 2685 S. La Cienega Blvd., Culver City, luisdejesus.com. [ READ MORE ]

September 05, 2018


ANTONIA WRIGHT ON CUBAN ART NEWS

November 1–3: Miami

On Archipelagos and Other Imaginaries–Collective Strategies to Inhabit the World

The New York–based arts organization Creative Time is holding its annual summit in Miami for the first time. Titled On Archipelagos and Other Imaginaries—Collective Strategies to Inhabit the World, the three-day conference will include workshops, panels, discussions, interactive performances, and more.   more

The speakers’ list includes María Magdalena Campos-Pons, Elvis Fuentes, and Yanelys Nuñez Leyva and Luis Manuel Otero Alcántara, two organizers of the recent #00Bienal. The conference film series will include work by US-born Cuban artist Antonia Wright. Co-presented with Art in Public Places of the Miami-Dade County Department of Cultural Affairs. [ READ MORE ]

September 04, 2018


CHRIS ENGMAN IN THE FOTOFOCUS BIENNIAL

A record number of venues across Greater Cincinnati and Ohio will play host starting this month to the largest photo biennial in the U.S.

FotoFocus, an Over-the-Rhine-based nonprofit that champions photography and lens-based art, presents the work of more than 250 artists, curators and educators at its fourth Biennial, an event that launched in 2012.   more

More than 80 venues, including museums, galleries and universities across Cincinnati, Northern Kentucky, Dayton and Columbus, will serve as host sites from as early as September to as late as February 2019.

This year’s theme, Open Archive, examines the need to preserve photographs and to tell stories through their collection, organization and interpretation. Biennial highlights include: Program Week (Oct. 4-7), the heart of the event; a monthlong series of exhibitions, screenings and events; installations by Chris Engman and Mamma Andersson; an exhibition by Akram Zaatari; a performance by Teju Cole and composer Vijay Iyer; and a keynote address by Clément Chéroux, senior curator of photography at the San Francisco Museum of Modern Art. [ READ MORE ]

August 25, 2018


REVIEW: DANICA PHELPS IN THE LOS ANGELES TIMES

Lives on the line: How the art of Danica Phelps takes on environmental and humanitarian dimensions

Danica Phelps draws with uncommon grace. Her line moves with liquid ease, following the momentum of time. It describes what happens in her life, and it also makes things happen. As her beautifully affirming show at Luis de Jesus Los Angeles gallery attests, her line has agency.

For more than two decades, Phelps, who divides her time between New York and Massachusetts, has been making drawings that chronicle her everyday experiences, annotated with visual tallies of her finances.   more

At the bottom of a page, she typically affixes horizontal strips of paper densely painted with vertical stripes representing money earned and money spent, one green line per dollar taken in, one red line for every dollar going out. Sales of drawings are recorded within drawings, making for a regenerative circularity. [ READ MORE ]

August 23, 2018


WHAT'S ON LOS ANGELES PICK OF THE WEEK: DANICA PHELPS

Since 1996, Danica Phelps has been keeping track of her income and expenses, integrating details of her financial life into her artworks. Often placed below simple, yet elegant and descriptive pencil drawings, Phelps creates long strips of short vertical lines— red for expenses and green for income— where each painted mark on the page represents a dollar. Using her finances as a point of departure, her layered and multi-dimensional artworks investigate the relationship between labor and value, both within and outside the art marketplace.   more

Cleverly titled Many Drops Fill a Bucket, this exhibition not only presents her iconic drawings, but also includes an installation of small sculptures made from detritus she and her son collected on recent visits to beaches in California, as well as the drawings they inspired.

During these trips, Phelps and her son would comb beaches to remove shards of trash and later assemble what they collected into small (Richard Tuttle-esque) sculptures. In downtime when not cleaning up the beaches, Phelps would draw. She documented the sculptures she and her son created as well as moments from their daily activities—relaxing, eating, making the sculptures, etc. Once finished, Phelps auctioned the sculptures on Facebook to raise money for non-profits and charities like the Ocean Conservancy, Pro Activa Open Arms, World Animal Protection, Refugees International, Climate Central, Oceana, Smile Foundation India and Resilient Power Puerto Rico.  [ READ MORE ]

August 15, 2018


DANICA PHELPS IN WALL STREET INTERNATIONAL MAGAZINE

Luis De Jesus Los Angeles is very pleased to announce DANICA PHELPS: Many Drops Fill a Bucket, the artist's first solo exhibition in Los Angeles since 2011, to be presented from August 4 through September 1, 2018. [ READ MORE ]