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Luis De Jesus Los Angeles
2685 S La Cienega Blvd. Los Angeles, CA 90034 | T 310 838 6000


November 20, 2018


In each of the four paintings in Josh Reames’s exhibition “BO-DE-GAS,” uniformly distributed idiomatic images floated graphically on raw canvas surfaces. Punctuating each of the intimate gallery’s four walls, the paintings were supplemented with three black, wall-mounted handrails that sported a selection of attitude-declaring bumper stickers.   more

The works are stylistically indebted to the appropriation work of the 1980s, such as the commodity-driven, logo-festooned work of Ashley Bickerton, Matt Mullican, and Peter Nagy, and to the later work of Laura Owens. Yet Reames's lexicon of found imagery is devoid of critical engagement with the updated questions of authorship, originality, and the authority of painting. Instead, his paintings imitate and aggregate languages of critique, not as a counterposition but as a nullification of those conditions of representation. [ READ MORE ]

November 14, 2018


Our Longing for Adventure & Shelter Merge in Chris Engman's Hallucinatory Photographs

To say that Los Angeles-based artist Chris Engman’s photographs are trompe l’oeil illusions would be a gross understatement. Created through an elaborate and time consuming physical process, his work evocatively merges indoor and outdoor environments into mesmeric compositions that both perturb and dazzle viewers with their non-binary disposition. Titled "Prospect and Refuge," Engman's series is inspired by what British geographer Jay Appleton believed to be two of our most basic and deep-rooted needs: our longing for opportunity and shelter.   more

In Engman’s work these two subconscious urges are metaphorically conveyed by images of expansive natural landscapes and familiar man-made interiors. Their hallucinatory fusion into a single photograph not only alludes to the paradoxical nature of the human psyche but also questions the function of photographs as records of truth. [ READ MORE ]

November 07, 2018

KEN GONZALES-DAY AT THE Cantor Fitzgerald Gallery AT Haverford College

‘The Legacy of Lynching’ : A groundbreaking Brooklyn art show is now at Haverford

Having seen two exhibitions of James Allen's collected photographs of lynchings — both of them in New York, in 2000 — I braced myself for "The Legacy of Lynching: Confronting Racial Terror in America," at Haverford College's Cantor Fitzgerald Gallery.   more

The horrific images I saw 18 years ago are permanently seared into my mind.

I was curious how this new exhibition of works by prominent contemporary artists would treat such an appallingly inhumane period in American history and its reverberations today.

The first thing to know is that "The Legacy of Lynching," which originated at the Brooklyn Museum and which was coordinated in collaboration with the Equal Justice Initiative and supported by Google, contains no photographs of lynchings. It's disturbing in a more nuanced way.

Video interviews with the descendants of those who were lynched expose the terror passed down over generations in black American families. The subjects describe the terrible details of their ancestors' murders as if they happened yesterday.

The past is brought to life as well, in written materials dating from the late 19th and early 20th centuries, among them newspaper accounts of lynchings and letters and pamphlets protesting them. We're reminded that the "Great Migration" was as much a flight from lynch mobs and other open hostility as it was about economic opportunity.

The contemporary artworks — by Josh Begley, Alexandra Bell, Sonya Clark, Ken Gonzales-Day, Ayana V. Jackson, Titus Kaphar, Glenn Ligon, Lorna Simpson, and Hank Willis Thomas — are haunting, too, though more oblique. Police brutality and the news media are front and center. [ READ MORE ]

November 06, 2018


Photographer Chris Engman is one of his landscape photos at a large scale in an unusual way: instead of showing it as a 2D print, Engman transformed a room into his photo by covering the wall, ceilings, and floors with prints.

It’s essentially what you’d get if you used a projector to project the photo into the space, except he used prints instead of light.

From a certain vantage point when looking into the room, you’ll see the entire photo as it was captured.   more

Walk into the room or view it from an alternative angle, however, and you’ll see how portions of the frame have been stretched out to provide the perspective illusion. [ READ MORE ]

November 06, 2018



Who doesn’t love a good magic trick?! Photographer Chris Engman masterfully demonstrated that augmented reality and light projections are not the only way to create mesmerizing perspective illusions.   more

Good old traditional photography will get you there as well if you’re creative enough!

Chris Engman transformed 2D landscape photos into awe-inspiring rooms, where each inch is covered with prints to give off a 3D perspective.

As you walk into the three-dimensional installation dubbed “Containment,” you’ll feel like you literally inserted yourself into Chris Engman’s landscape photography. Once you change your vantage point and walk around the room, you’ll notice over 300 photo prints masterfully arranged to create the perspective illusion. [ READ MORE ]

November 05, 2018


Otis College of Art and Design turns 100 and hosts a big public celebration this weekend.   more

It's on Veteran's Day weekend because the school has long welcomed vets (with help from the GI Bill).

00 years ago the conservative LA Times publisher Harrison Gray Otis left a house to the County of Los Angeles if they would turn it into an art school.

Now the school is celebrating its centennial with a big public party this Veterans Day weekend.

DnA explores moments in the school’s history, which track with LA’s growth as an art and design capital -- from its founding on Wilshire Boulevard through its transition from what artist Billy Al Bengston calls its "constipated" years in the 1950s.

Alum Garth Trinidad (yes, that’s KCRW’s own DJ Garth Trinidad) recalls the struggles in the 1990s and remarks on its blossoming in Westchester today.

Edie Beaucage talks about being part of the new generation that has revived painting.

November 02, 2018


Even as some voices are routinely silenced, Peter Williams acknowledges that it is a privilege to speak and be seen. Bearing witness to the times in which we live while honoring the lives and history of people of color, Williams' new paintings build on four decades of his radical oeuvre with a renewed sense of urgency, defiantly calling out the violence and injustices that continue to be perpetrated against Black Americans and giving voice to those who stand up against hatred, corruption, and criminality. [ READ MORE ]

November 01, 2018


Antonia Wright, another Miami-based artist, will screen her 2014 film “Are you OK?” as part of the Creative Time Summit’s inaugural film series in Soundscape Park, in relation to the theme of resisting displacement and violence. This will be explored further in the session “Our Long Term Goals: Creative Practitioners in their Communities,” led by Marie Vickles and William Cordova at the Little Haiti Cultural Complex. [ READ MORE ]

October 30, 2018


Among purchases by notable individual collections was Kenneth Montague’s acquisition of Jim Adams’s Centurion (Self Portrait) (1977) from Luis de Jesus for the Wedge Collection. The large acrylic on canvas work was purchased on opening night.

“Adams grew up directly under a major flight path in Philly, and dreamt of one day flying his own plane,” Montague explained on Instagram. “Upon arrival to Canada’s West Coast while still in his 20s, he immediately got his pilot’s license… and started painting.   more

With his cool and confident gaze, and by positioning himself as the master of his own destiny, he also creates a powerful statement about freedom—as an artist and as a black man in an overwhelmingly white environment.” The painting, and Adams’s overall career, gained wider public profile when the Surrey Art Gallery mounted a retrospective of the 75-year-old artist’s work last year. [ READ MORE ]

October 25, 2018


We carried onward with excitement to Luis De Jesus gallery where we were met by the work of Peter Williams for his opening, “River of Styx.” The show’s array of colorful, multi-figurative, narrative pieces was seemingly bright and cheery, yet it alluded to a heavier history. With the political climate so out of wack, Williams’s images address topics quiet poignantly. I had the treat of talking to the delightful artist as he explained that his paintings composed of many marks, were in fact not pointillism.   more

Instead, he utilizes poetic formations of dots to piece together memory representing many voices in one narrative. Williams’ accumulation of imagery addresses personal experience as well as a history of injustices. In some pieces sections remain blank and seemingly unfinished, but Williams explained this absence of color and mark symbolizes the power of white. Williams’ show also highlighted the power of the feminine or queen and illustrated the struggles of black Americans and those who traditionally and unfortunately, sometimes to this day, remain oppressed.  [ READ MORE ]