
Evita Tezeno
Joy, Compassion, Generosity, 2022
Mixed media collage and acrylic on canvas
48 x 48 in.
Evita Tezeno
Tender Love, 2022
Mixed media collage and acrylic on canvas
48 x 48 in.
Evita Tezeno
Sharp Dressed Man, 2022
Mixed media collage and acrylic on canvas
48 x 36 in.
Evita Tezeno
Cherish the Moment, 2022
Mixed media collage and acrylic on canvas
48 x 30 in.
Laura Karetzky
Points and Palms, 2022
Oil on panel
60 x 48 in
Laura Karetzky
Solo Keys, 2022
Oil on panel
48 x 36 in.
Laura Karetzky
Night Hawks, 2022
Oil on panel
48 x 36 in.
Laura Karetzky
The Berry Plan, 2022
Oil on panel
48 x 36 in.
Laura Karetzky
Close Call, 2022
Oil on panel
24 x 30 in.
The Dallas Art Fair Foundation Acquisition Program, which director Kelly Cornell told me was modeled after the Tate’s Outset program, utilized this year’s $125,000 grant to add ten new works to the Dallas Art Museum’s permanent collection—unexpected choices and classic beauties, like a homoerotic vase by Krzysztof Strzelecki called “Olympia” via Anat Ebgi, “Joy, Compassion, Generosity” by Texas native Evita Tenzeno via Luis De Jesus, and “Untitled (laborer)” by Kaloki Kyami via Keijsers Koning, which recently relocated from NYC to Dallas.