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Luis De Jesus Los Angeles cordially invites you to attend a Frieze Los Angeles Special Event featuring back-to-back Artist Talks with Rodrigo Valenzuela and Ken Gonzales-Day, on Saturday, February 19th, from 10 to 11 AM. The talks will be held in person at the gallery in Downtown LA, and are presented in conjunction with the artists current solo exhibitions: Rodrigo Valenzuela: New Works for a Post-Worker's World and Ken Gonzales-Day: Another Land. Refreshments will be served. Free admission; reservations are not required, but encourage. Masks will be required for this indoor event.


Rodrigo Valenzuela received his MFA from the University of Washington, Seattle in 2012, a BA in Philosophy from Evergreen State College, Olympia, WA in 2010 and a BFA from the University of Chile, Santiago in 2004. He has presented solo exhibitions at New Museum, New York (2019); Lancaster Museum of Art and History, CA (2019); Orange County Museum of Art, CA (2018) and Portland Art Museum, OR (2018), and has participated in group exhibitions at the Phillips Collection, Washington, DC (2019); The Drawing Center, New York, NY (2017); Frye Art Museum, Seattle, WA (2016); Museum of Fine Arts, Houston, TX (2015); and Henry Art Gallery, Seattle, WA (2017). He was awarded residencies at Light Work, Syracuse, NY (2017); MacDowell Colony, Peterborough, NH (2016); Core program, Houston, TX (2016); Bemis Center for Contemporary Art, Omaha, NE (2015); Kala Art Institute, Berkeley (2015) and Skowhegan School of Painting and Sculpture, ME (2013), among others. In 2021, Valenzuela was awarded a Guggenheim Fellowship Award and a Smithsonian Artist Research Fellowship. He received a Joan Mitchell Painters and Sculptors Grant (2017), Arts innovator Award (2014). His work is included in the collections of Los Angeles County Museum of Art, Los Angeles, CA; Whitney Museum of American Art, NYC, NY; Museum of Fine Arts, Houston, TX; Nelson-Atkins Museum of Art, Kansas City, MO; Frye Art Museum, Seattle, WA; as well as numerous private and corporate collections. Valenzuela lives and works Los Angeles, CA.

Ken Gonzales-Day’s interdisciplinary and conceptually grounded photographic projects consider the history of photography, the construction of race, and the limits of representational systems. Gonzales-Day is a Getty scholar and a Terra Foundation and Smithsonian Museum fellow.  In 2018, he was the subject of a solo exhibition at the Smithsonian National Portrait Gallery in Washington, D.C. The Fletcher Jones Chair in Art at Scripps College and professor of art, Gonzales-Day’s exhaustive research and book Lynching in the West, 1850-1935 (2006) led to a re-evaluation of the history of lynching in this country. The book shed light on the little-known history of frontier justice and vigilantism and was nominated for a Pulitzer Prize. The Erased Lynchings series of photographs was a product of this research, which revealed that race was a contributing factor in California's own history of lynching and vigilantism, and through which he discovered that the majority of victims were Mexican or, like him, Mexican-American. Gonzales-Day takes the same scholarly approach to his ongoing Profiled series, which looks to the depiction of race and the construction of whiteness in the representation of the human form as points of departure from which to consider the evolution and transformation of Enlightenment ideas about beauty, class, freedom, and progress. The series was awarded the first Photo Arts Council Prize (PAC) by LACMA and documented in a handsome monograph. It is Gonzales-Day’s continual engagement with history and his interest in peeling back the layers that makes his work so powerful and continuously relevant.

Gonzales-Day's work can be found in prominent collections, including: J. Paul Getty Museum, Los Angeles, CA; Norton Museum of Art, Palm Beach, FL; Los Angeles County Museum of Art; Smithsonian American Art Museum, Washington, DC; Getty Research Institute, Los Angeles, CA; Santa Barbara Museum of Art; Minnesota Museum of American Art, St. Paul, MN; Eli and Edythe Broad Art Museum, Michigan State University; Hood Museum of Art, Dartmouth College, Hanover, NH; Williamson Gallery, Scripps College; Middlebury College Museum of Art, Middlebury, VT; Art Gallery of New South Wales, Sydney; L'Ecole des Beaux-Arts, Paris; Musee National d'Histoire Naturelle, Paris; Pomona College Museum of Art; Eileen Norton Harris Foundation; 21C Museum Hotel, Louisville, KY; City of Los Angeles; and Metropolitan Transit Authority, Los Angeles, among others.

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