Molly Larkey

“From the invention of letters the machinations of the human heart began to operate; falsity and error daily increased; litigation and prisons had their beginnings, as also specious and artful language, which causes so much confusion in the world.”

—Henry Noel Humphreys, The Origin and Progress of the Art of Writing, (1853), as quoted in The Alphabetic Labyrinth by Johanna Drucker,(1995).

In The Not Yet, Molly Larkey combines elements of language, painting, and sculpture to point to both impossibilities of communication in our current world and an imagined future of fluidity, movement, and the possibility of transparent meaning. This new work is informed by the idea that the basis of language, the alphabet, becomes an agent of oppression once it becomes a fixed system.  It imagines a different basis for language, not yet as a concrete project of revolution, but as an individual act of imaginative rebellion. For Larkey, since this imagined language or alphabet can’t be made real, it has to be brought closer to our field of vision through art.  

This new body of work also speaks to our human condition as bound in contradiction, even as it rejects the dichotomous, and insists on fluidity of form and function. It longs for a language that names the subjectobject, the masterslave, the malefemale, the richpoor, the livingdead, the blackwhite, the allnothing, the infinitelimited. It points to our failed dualistic vocabularies, and how the structures of power that benefit from an either/or have routinely denied the neither/both a space, a name, even a shape or form.