bad seed, 2015
acrylic ON CANVAS
54 X 72 IN
My paintings represent an ongoing examination of the connections and gaps between landscape painting and contemporary socio–political events. More specifically, I continue to focus on the manifestations of American expansion and its consequences on various environments. When viewed together, these paintings suggest a looming, pervasive military presence. However, I represent this presence indirectly to address, without celebrating, the violence caused by U.S. military action. With these allusive works I intend to blur the boundaries between civilian and militarized landscapes to provoke us all to ‘see’ this violence where we may not expect it. In doing so, I hope to re-sensitize myself and viewers to its grave consequences. Formally, I continue to manipulate the tools of perspective, color and paint quality. Many paintings place the viewer in a particular position in relation to what s/he sees, alluding to how one’s positionality–where one ‘stands’ or where one ‘is coming from’—determines so much about how one ‘views’ the world. In addition, many of these compositions (and the brush strokes and re-used palette scrapings that constitute them) imply repetition or a cycle, hinting at the recurring nature of the conflicts in which we are presently mired.
By broadening color range and surface/paint textures, I draw attention to the idea of surfaces and representation–what is real, what is made up, and specifically how can a painting ‘accurately’ deal with issues of conflict, violence and death, if at all? Paint’s myriad formal qualities have the power to engross and/or distract a viewer, and I choose to make paintings about conflict that exhibit some internal struggle of their own. In my work, imagery often vies with formal aspects for the viewer’s attention, mirroring the inherent conflict between an artwork’s subject matter and its representation. In this way I bring the idea of focus–mine, the viewer’s, this country’s–into question, as I continue to explore the role and act of painting as a way to engage with current events.
Born 1977, New York, NY
Lives and works in New London, CT
MFA, University of Southern California, Los Angeles, CA
BA, Yale University, New Haven, CT
RECENT SOLO EXHIBITIONS
White Tide, Luis De Jesus Los Angeles, Los Angeles, CA
Bounty, VOLTA, New York, NY, presented by Luis De Jesus Los Angeles
Engagement Party, Cummings Arts Center, Connecticut College, New London, CT
RECENT SELECTED GROUP EXHIBITIONS
The New World, Wignall Museum of Contemporary Art, Chaffey College, Rancho Cucamonga, CA
The New Americana, New Capital, Chicago, IL